"Imagine an alien science where tissue, bone, nerves, and muscle are used like we use iron, wood, rubber and wire. Now imagine yourself held captive with hundreds of others by beings who wield this grisly technology as easily as we do hammer and saw; beings whose lineage can be traced through the morally hollow, parasitic branches of nature's evolutionary tree. What would you do to survive? Would you re-draw the boundaries of your own morality to stay alive? What would you compromise? How might you escape? This is the context of NaturalSelection, the first of three volumes of the Dominant Species series of books. What distinguishes Dominant Species from other stories in its genre is its visceral imagery and more importantly, its rich subtext. The story can appeal to those fascinated and drawn to horror and strong drama, and at the same time will fascinate those who can tune into its broader message about our relationship to the natural world. Taken as a whole, the series is a puzzle linked together with genetic threads that unravel like a double helix. Viewers intrigued by mystery and dramatic puzzles will find a fascinating playground for guesswork, thought and discussion.
The first volume sets the stage for the ongoing conflict between Homo sapiens and a visiting alien race. Like all successful serial drama, the story poses many questions to be answered, each one carefully laced into a central theme about human survival, the action driven by antagonists both alien and human.
The story is
character driven, each character fully developed and rich, providing
the colorful characterization required by serial drama. Central to
the first volume is teacher Phil Lynch.
The story starts as
a peaceful visit to his weekend getaway in the Sierra foothills.
Hours later he finds himself living an unthinkable nightmare.
Paralyzed and taken prisoner, his body is used as an unwilling host
in a bizarre and grisly series of parasitic infections. On board the
alien vessel within which he is imprisoned are more than a hundred
other humans – and like Phil – just as confused and terrified –
their bodies subject to unfathomable violence for a dark and
malevolent purpose. As the terrible truth about the alien visitation
unfolds, a small group of captives must first understand – and then
fight for escape from the terror that holds them captive. That
struggle will stretch razor-thin the limits of the human will to
survive.
There is strong
language in the story because humans under stress often use such
language. There are no puppy love or adolescent motifs of intimacy in
the story. Instead there are very many mature, psychosexual themes
that run through all three books. Some are represented symbolically,
others described explicitly. There is violence. The story is not
PG-13.
The story is a human
drama that will be appreciated by most adult demographics. It is
strong, unflinching theater played through characters who repulse us,
fascinate us, and often, appeal to our better natures; ones who
continually remind us of our human strengths—and weaknesses."
"I’ve
had a lifetime love of science fiction and horror. I suspect it
started in puberty since most obsessions do. My passion for it was so
strong as a penniless youth, I resorted to boosting copies of my
favorite authors’ works off the shelves of the book section of the
local Federal’s department store. My friends and I soon had a
collection of great sci-fi at discounted prices to read and read
again. But I’m not wholly without conscience about those shifty
activities as a scrawny youth. I’ll shake my head from side to side
and mumble “Crap, that was stupid” once ever decade or so. But
that’s about it.
I
consider myself a sci-fi film Nazi. I’m sure I’ve seen every
sci-fi movie ever made – certainly the vast majority of them. I
can’t pass up even the worst of it. All those god-awful, black and
white B flicks of the 40’s onward, with their outrageous and
ham-handed themes of science vs. ignorance and good vs. evil, wrapped
in whatever pseudo-scientific covering was popular that year,
transfixed me, entertained me, and like the works pinched then
stashed in my friend’s basement, made me think. When pivotal films
like “Alien” and John Carpenter’s “The Thing” elevated
sci-fi film up out of the gutter with all those glorious and
expensive production values, I was
im himmel.
I attended Wayne
State University in Detroit, Michigan. Like so many of my peers at
the time, I left Wayne
State with an utterly useless BA with a major
in psychology. I’ve cleaned tractor cranes for money and
worked as
a steel mill laborer when the last one of those plants in Michigan
still existed. I’ve worked as a
night janitor. I moved to southern
California when I was 30 years old and sold cars for a while. Shortly
thereafter I worked for what used to be called the Hughes Aircraft
Company as an in-house photographer.
For the last 10 years of my
work-a-day life I worked as a senior project manager for Computer
Sciences
Corporation. I now live in Oregon where I started and
recently sold a fitness gym. I relate this choppy
history to drive
home my favorite maxim relating to life and the living of it: you
never know where in the f***
you’ll end up. You’ll find my books
laced through with that persistent theme. I hope you find the journey
of
reading them, should you attempt it, if not straight and linear,
at least interesting."
REVIEW
First, I apologize about the wonky formatting above - it didn't cooperate with me. :)
Humans are the top of the biological totem pole. We are taught this in science classes from elementary school on. We are the dominant species...all food chains eventually lead to us (or at least the big, important ones). We dominate the planet and determine its course and future. We are regaled with science fiction stories that tell us of other species, but we generally eventually dominate them to. But what if we encounter an alien species, or they encounter us, against which we have no defense other than pure, dumb luck?
